Gemma Prince, soprano and harpist 
SING, SWEET HARP! is one of the melodies of Irish poet Thomas Moore. Dungannon-based soprano and harpist Gemma Prince will perform some of Moore’s well-known songs at Saint Macartan’s Cathedral, Clogher at 7:30pm on Sunday 31st July.
St Macartan's Cathedral, Clogher Photo: © Michael Fisher
St Macartan’s Cathedral, Clogher Photo: © Michael Fisher

The Cathedral organist Diane Whittaker will also perform. Our thanks once again to the Select Vestry for the use of this beautiful location as we start the 25th annual William Carleton Summer School. Admission £5.



AII Carleton’s best work is true to that medieval texture of lrish Catholic life, where the same breath that utters a Hail Mary suffices to shoo the chickens off the floor or the cat from the jug of cream.

Patrick Kavanagh (1945)

1995 Summer School Brochure
1995 Summer School Brochure

Following last year’s consideration of Carleton’s place in lreland’s continuing literary tradition, the theme for this year is William Carleton and His Times. This is in part suggested by the fact that 1995, one year after the bicentenary of Carleton’s birth, is the bicentenary of the founding of Maynooth College and of the Orange Order.

Contrary influences these institutions might be but both impinged on Carleton’s life and feature in his writings. lnterestingly, it will be a Maynooth scholar, Professor W J Smyth, who will speak on the Orange Order.

In addition to the more academic contribution, many of lreland’s leading writers will read from work published or in progress. Amongst these, we welcome again one of our patrons, John Montague, who was recently presented with the American lreland  Fund literary award for his major contribution to lrish literature.


The elegant eighteenth century house, now the Clogher Valley Rural Centre, will again be the venue for the School. This is in Clogher: village in size but city by virtue of the elegant but unpretentious Cathedral of St MacCartan, of 12th century foundation. Clogher is one of a cluster of small towns or villages marking out the Valley. Surrounding them is some of the most  gently pastoral country in lreland and, overlooking all, is the wooded height  of Knockmany, sacral hill for Carleton pilgrims.


During the period of the Summer School, the following events will also be taking place:

. Sketching in the Valley with Margaret Hadden

. Exhibition of Paintings by Sam Craig

. Exhibition of Orange Order memorabilia

. Traditional Music Evenings in local pubs

. The Spolian Fair (Clogher Community Festival – Thursday)

The Spolian Fair, Clogher: part of Summer School week 1995
The Spolian Fair, Clogher: part of Summer School week 1995

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Sam Hanna Bell
Photo Bobby Hanvey via Burns Library Boston College, Creative Commons Licence

by Sam Hanna Bell

There is a tradition that the people of Carleton’s Country, the mountainous district between south Tyrone and Monaghan, were descendants of the Firbolgs or Bag-Carriers, driven there by their Celtic conquerors. In this district, in the townland of Prillisk, between Clogher and Knockmany, William Carleton was born in 1794. It can happen, when discussing a writer and his work, that little is added to our evaluation to mention when and where he was born. We see him only faintly, if at all, a journeyman labouring behind his heroes, his heroines, his villains. But William Carleton of Prillisk in the County Tyrone steps out from the pages of his own tales. He is Jemmy McEvoy the Poor Scholar travelling hopefully towards Maynooth, he is Denis O’Shaüghnessy hurrying homeward from Maynooth, to wed “the cream of his affections”, Susy Connor, he is Shane Fadh, who before the eyes of his sweetheart, could out-dance, out-throw, out-speed all his rivals in the glades of Althadhawan Wood.

From this vanished forest Carleton leads .out his neighbours, remembering and setting down every quirk and turn of their steps. He is the inexhaustibly well-informed legend-and-customs-officer of the baggage of sorrow and joy the Bag-carriers humped through their lives. He was born among their cabins and travelled with them to their christenings and funerals, their weddings and wakes, their places of merriment and of pilgrimage. And, above all, his father was a brimming well of folk-tale and legend and Carleton drew prodigally on him. In later years he could boast that neither Petrie nor Ferguson nor O’Donovan nor any other antiquary had anything to teach the writer who had spent his childhood among the neighbours who tumble from the pages of his books. Throughout his stories there are many examples of Carleton’s indebtedness to the tradition that he learnt around hearthstones in the Clogher Valley.

A few years ago there appeared in Béaloideas*, the Journal of the Folklore of Ireland Society, a group of Tyrone folktales contributed by the late J. B. Arthurs of Queen’s University. One of these stories, Jack and the Black Horse, was taken down in 1908 from a Tyrone storyteller, Owen Bradley of Carrickmore.* In the course of the life-and-death pursuit in this story the Black Horse (a bewitched Prince) advises the hero: ” ‘Jack,’ he says, ‘look in my right ear now and see do you see anything in it.’  ‘I see a drop of water in it,’ says Jack.        ‘Throw it behind you,’ says the Black Horse, ‘ and wish for an ocean behind you and a plain road before you.’

*Béaloideas, 19 (1949), full movie A Cure for Wellness 2017 online

(Reproduced from Summer School Handbook 2004)